Sa Kada Liso, May Paglaum (With Every Seed, We Plant Hope) by KANTINA

Sa Kada Liso May Paglaum (With Every Seed We Plant Hope)
by KANTINA (Roxas, Philippines)
In partnership with ASAKUSA (Tokyo, Japan)

November – December 2020

Featured Artists:
Nick Dolendo, Noriko Okaku + Akihide Monna, Mann Lee, George Ohsawa, Jason Rufino and Akira Aoki

Capiz province has vast fertile ground. If one is resourceful enough, hunger could be avoided here if people will just use idle land, receptacles, or spaces to plant. Thus, the pandemic spawned more interest in growing vegetables and herbs in our
own backyards.

The project Sa Kada Liso, May Paglaum (With Every Seed, We Plant Hope) has three elements that together or in part will: connect the local audience to their artistic side, recognize artistic approaches in commonplace activities or objects, enable collaboration and dialogue between Japanese and Filipino artists and curators, to creatively promote self sufficiency and self reliance during these trying times and foster cultural collaboration even in a small way.

Interestingly, growing edible plants and the art making process are similarly generative processes. Both require problem solving, resourcefulness, care, and patience. Moreover, the act of planting and creating obliges one to experiment, learn and integrate space.

The concept for Sa Kada Liso, May Paglaom (With Every Seed, We Plant Hope) was borne out of ruminations during the early weeks of the lockdown in Roxas City, Capiz. During this period, when mobility was hampered and food was scarce, the produce from the garden helped provide additional nutrition. Moreover, the act of tending to the plants offered a meditative headspace for those anxiety-driven moments.
 
To a certain degree, growing edible plants and the art-making process are similarly generative processes. Both require problem solving, resourcefulness, care, and patience. Moreover, the act of planting and creating obliges one to experiment, learn and integrate space. With these notions in mind, we invited three creative individuals to create mini projects culled from their greenery (be it an artwork, recipe, dish, installation, video, etc.). Their plants were used as prompts, inspirations, objects, or elements in their works.
KANTINA collaborated with ASAKUSA to help select Japanese artists/creatives/curators to respond to the same idea. This is the result of that partnership. The projects of Nick Dolendo, Noriko Okaku + Akihide Monna, Mann Lee, George Ohsawa, Jason Rufino and Akira Aoki shows artistic approaches in commonplace activities or objects, enables a dialogue towards self-sufficiency and self-reliance during these trying times, and fosters cultural exchange. Their processes, interests and how these plants triggered deep introspection can be seen in the various images, documentation and videos that are part of the exhibition.
KANTINA

KANTINA

KANTINA

KANTINA