Tomotosi (トモトシ) is a Japanese artist whose work explores the relationships between human activities and the cities people live in. Through interventions in urban spaces, he transforms people’s movements, and raises conversations on human behavior, urban histories, and new ways of using the city.
Tomotosi had his residency at Orange Project in Bacolod, spending two months (October 15 – December 12) integrating with the local community.
For his residency at Orange Project, Tomotosi presented six videos and photographic works that explore his connection to the local community and grapples with the history of Japanese and Filipino relations in the area, all viewed through the lens of everyday activities. Walking, carrying, eating, listening, and waiting – woven to the rhythm of his everyday life in Bacolod
Tomotosi-san shares with us about his experience during the residency:
For my project, I created six different works during the residency, each one made specifically in response to the place and environment. They’re all things I could only have made there.
Whenever I shared a project idea with Ms. Candy and Sir Charlie, they gave concrete advice and immediately connected me with the right people. Thanks to their help—and the generous support of the whole Orange team—I was able to realize my works very smoothly.
In regards to my visit to The Ruins (also known as Lacson Ruins. A renowned landmark in Negros Occidental that bore witness to the events of World War II). Actually, I already knew—through the internet—that the Japanese army had something to do with the history of The Ruins. But when I visited in person, the atmosphere was totally different. The place was full of sunlight and joy, with people simply enjoying themselves. That’s why the video inside the building, which mentioned the Japanese and American militaries, left such a strong impression. That gap—between the past and the present mood—really stayed with me. It became a key question in my work: can we become friends across the weight of historical memory?
In regards to everyday actions inspiring my work, as a foreigner doing very normal things—waiting for someone, carrying water, eating, getting a haircut, listening to people—I noticed moments of tension, awkwardness, or unexpected meaning. I tried to capture those moments. Basically, the repetition of these everyday acts became the artwork itself.
Every day was a new challenge. I started small—eating local food, riding a tricycle—and eventually found myself walking to a neighboring town, talking to historians, and doing things I’d never expected.
What gave me the courage to do all that was the feeling that Orange Project, The Japan Foundation, Manila and TRA-TRAVEL all had my back. I really felt like, “If anything happens, we’ll help you.”
Now, when I host artists myself at Tomo City Museum, I try to create that same feeling for them. I think that’s one of the biggest things I gained from this residency.
In regards to what’s next, I’m already planning to return to the Philippines. This time, I want to create something together with the friends I made last time.
I’m really looking forward to seeing everyone again!
Words by Tomotosi,
Written and Edited by Ralph Barrientos
July 2025
