Popular Posts
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People in Action: Rebuilding Continues
September 25, 2020In support of the COVID-19 response in the Philippines, The Japan Foundation ...
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The Japan Foundation, Manila Grant Support
February 8, 2021The Japan Foundation, Manila Grant Support for FY 2020-2021In response to the ...
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TRANSFORMING WITH COVID-19: Small Art Institutions and Artists’ Responses in Manila
September 29, 2020Rewatching our office Christmas party videos made me feel that December 2019 ...
Features
In Lockdowns, There Is Forever: Cinema and Images Online
This is cinematic: some two days before Manila
TRANSFORMING WITH COVID-19: Small Art Institutions and Artists’ Responses in Manila
Rewatching our office Christmas party videos made me
Upcoming Events
Curatorial Development Online Talk (Oct 21)
The Japan Foundation, Manila (JFM), the Philippine Contemporary
14th International Silent Film Festival Manila (Dec 4-7)
14th International Silent Film FestivalDecember 4 – 7
Behind the Scenes
JFF PLUS, the First-Ever Online Japanese Film Festival
JFF PLUS: The First-Ever Online Japanese Film Festival
Built Environment: An Alternative Guide to Japan
Built Environment: An Alternative Guide to JapanExhibition on
Grants
Right People, Wrong Timing by Green Papaya Art Projects
Right People, Wrong TimingGreen Papaya Art ProjectsAugust 14
Latest Posts
Shusoku-Convergence Web Project
Shusoku-Convergence is an online art project with two components, which are a website (www.shusoku-convergence.com) and online workshops that bring together Japanese and Filipino artists with the audiences/participants in the Philippines and Japan. The project aims to connect
Viva ExCon 2020
VIVA ExCon 2020 Visayas Islands Visual Arts Exhibition and Conference 2020 – Virtual Conference 1 and 2 November – December 2020 VIVA ExCon is a Visayas-wide biennale which was started by the art group Black
Right People, Wrong Timing by Green Papaya Art Projects
Right People, Wrong TimingGreen Papaya Art ProjectsAugust 14 – December 30, 2020 Right People, Wrong Timing (RPWT) is composed of 23 texts—interviews, essays, and archival documents featuring defunct or inactive Asian arts initiatives, like artist-run